Model Citizens https://validator.w3.org/feed/docs/rss2.html Bill Frisell Talks Looping & Loopers Wireless Updating Ben Adrian on the Art and Craft of Component Modeling Dale Wagler on Designing Intuitive User Experiences Eric Klein on Instant Gratification with Helix Unlocking Sonic Possibilities: Integrating the Line 6 HX One into My Workflow The Making Of HX One Dave Hunter: The Big Buzz – Origins of the Fuzz Box & Tips on Getting Fuzzy Mike “Puisheen” Adams — Guitar Whisperer, Offset Fanatic, and Atypical Picker Jeff Schroeder: Ambient Sounds Pt. 2 – Attack of the Synths Eric Klein: At Least Half of Your Modeler’s Sound Is Determined by Your Playback System Tom Salta: Mental Fitness for Creatives Devin Townsend – From Extreme Metal to Ambient Explorations with Helix Jas Obrecht: Stevie Ray Vaughan’s “Texas Flood” Sessions Peter Hook—Revisiting Joy Division and Factory Records Dr. Molly Miller: Four of My Favorite Contemporary Women Guitarists Dave Hunter: Tone in a Box Part 2 – Tone Tweaking Via Speaker Swapping Dave Hunter: Tone in a Box Part 1 – Tone Tweaking Via Cab Swapping Jas Obrecht: Jeff Beck the Fusion Years, Part 2 – Keep Your Ears Wide Open or Music Will Pass You By Jas Obrecht: Jeff Beck the Fusion Years, Part 1 – A Guitar Hero Reinvents Himself Sarah Lipstate – Crafting Cinematic Soundscapes with Guitars, Bows, and Pedals Galore Jeff Schroeder: Ambient Sounds Pt. 1 – “Frippertronics” Jas Obrecht: How Jimi Learned to Play Guitar Pt. 3 – Becoming “The Most Compulsive Player Ever” Jas Obrecht: How Jimi Learned to Play Guitar Pt. 2 – Seattle Bands, Betty Jean, and The Blues Jas Obrecht: How Jimi Learned to Play Guitar Pt. 1 – Earliest Music, First Guitars Paul Richards – Guitar Craftiness, Shepard Tones, and Echoes (plus free Helix/HX presets!) Dave Hunter: What’s Behind the Sag, Bias, and Bias X Controls in Helix Amps? Mary Halvorson’s DL4 Time Warp Not Guitar: Touch Guitarists Markus Reuter and Trey Gunn Conjure Cosmic Tones and Soundscapes From Helix Jude Gold: Living In Stereo Jeff Schroeder on Sonic Inspiration and His Multi-Modulation Helix Preset (Free Download) Barry Cleveland: How Joe Meek Turned the Recording World Upside Down Not Guitar: How Tina Guo & Lisa Molinaro Make Cellos and Violas Rock with Line 6 Effects Chad Boston’s “Family Style” Approach to Nerd Nirvana Dan Boul: My Helix Native Lockdown Revelation Jon Herrera: What Is Re-Amping and Why Should You Care? Joe Gore: Breaking the Analog Model Michael Ross: Gainful Deployment – Stacking Overdrives Video: Tom Salta on Scoring Games With Helix Native Barry Cleveland: A Young Person’s Guide to Speaker Cabinet IRs Matt Scannell on Using HX Effects with 4-Cable Method In His Live Rig Joe Gore: The Secret Power of Helix Snapshots Jakko Jakszyk – Helix In the Court of the Crimson King Dave Hunter: Output Tube Types – Setting the Foundation of Your Tone Jeff Schroeder on the Virtues of Running Delay and Reverb Before Distortion Dave Hunter: Unsung British Guitar Amps from the Golden Age of Rock Reeves Gabrels – Is Art-Rock’s Jedi Master Really a … Blues Rocker? Julien Baker – Indie Rock’s Reverb Queen Shimmers with HX Effects Jas Obrecht: Lonnie Johnson – The Most Influential Blues Guitarist Ever Carol Hatzinger – From Recording Revolutionary to Senior Director