6 Techniques To Help You Make More Music

You’ve got your instruments, you’ve got your gear, and you’ve even invested in some recording equipment. Yet you find months slipping by with little or nothing recorded. Often the hardest part is just getting started. If you find yourself in this situation, I hope you will benefit from reading a few suggestions that have helped me.

1. Lower your standards!

For some of us, our internal filter (the little voice that says “that sucks!”) is on all the time. If you have trouble getting started, then the only appropriate time to edit or filter yourself is at the very end of the creation process (or maybe a week later!). Don’t pressure yourself to make something original or clever! Just start playing some music. If something truly original is going to come out, then it will come out without being forced. But something that just sounds kind of like music is a good start!

If it helps, pretend you’ve been paid just enough money to make some horrible background music for a TV show you hate for a producer who will accept any crap you give him as long as it’s done by tomorrow. Or be like a child finger-painting – What could go wrong? It’s just notes and sounds. Even if you make a few lousy recordings, it’s still a positive. Each recording breaks down a few more mental barriers, makes you more adept at using your recording equipment, makes you more comfortable and less panicky when the “record” button is pressed, and improves you as a musician and producer.

2. Don’t wait for an idea!

Do you feel stuck because you don’t know what you’re going to play? Does it make you feel uncomfortable to be uninspired? These feelings are common, but can be safely ignored! Waiting for inspiration doesn’t help it to come more often. That’s like waiting for water to come out of a faucet before actually turning it on! First, just start playing something. Ideas might pop out when you’re not looking! And press the “record” button sooner rather than later. Recording minimal, simple parts is fine, and may be preferable in many cases.

3. Make your plans on a dry-erase board, not with a permanent marker.

John Lennon said “Life is what happens to you while you’re busy making other plans.” I think this applies to our music. If the sounds that come out when you start recording are not the sounds you heard in our head… don’t be afraid to go with those surprises. Maybe the track will turn out differently than you’d planned, but at least you made a track! And if you roll with it, it could be an unforeseen kind of cool.

4. Make 60 seconds of new music every day.

Make a firm promise to yourself to record and save 1-2 minutes of new music every single day – no matter how crappy the music might be. A smooth creative path is created in your brain the same way a well-traveled hiking trail becomes easily passable (while the seldom-used trails are overgrown). Working steadily a little each day like this is guaranteed to make you faster and more comfortable with your recording process. You can save these mini-projects in a “60-Seconds” folder, and each day after recording your minute of new music, if you are still lacking inspiration, dig through that folder to see if there is a past idea you feel like fleshing out. If need be, deprive yourself of something dear until you’ve recorded the 60 seconds. (Your favorite beverage, Facebook, whatever you recorded on TiVo, whatever works!)

5. Collaborate.

Sometimes it’s nice to get another brain or two involved. Lots of ideas can pop out when two or more people start playing and recording together. And if a fellow musician is there with you, perhaps you will be less likely to start wasting time on the internet!

6. Experiment!

Some of my most productive periods were while writing books about how to use Propellerhead Reason software, because I was exploring each instrument and trying to figure out cool examples to teach. That resulted in many happy accidents. “Whoa, that’s an interesting sound!” And a track is born. That can happen if you are experimenting with your effects pedals too (just ask The Edge!), or even if you are creating technique exercises for yourself on your instrument.

If music is one of the great loves of your life, then it’s really worth doing whatever it takes to push through that initial resistance. Sometimes it may feel like it takes as much energy as getting a rocket off the ground, but the further you go, the easier it gets, and before you know it you’ve broken free of the pull that was holding you back.

5 Responses to “ 6 Techniques To Help You Make More Music ”

  1. squint Says:

    Great post!

    In addition to the things you listed, starting with some kind of drum/rhythm track that has varied sections somehow seems to help me get songs written. I find that doing basic drum rhythm first and then adding music later is easiest for me. Then I can go back and fine-tune the drums, so to speak, but usually, the music I come up with fits the rhythmic parts (and vice versa) pretty well already. (Sometimes I “match” up old melodic ideas with new rhythmic parts, I suppose, and sometimes that works just as well.)

    A sure-fire way for me to get nothing done is to wait until I feel inspired to work. I have to “write through” lack of inspiration to get to the inspiration.

    Oh, and when I’m writing, I make sure that come hell or high water, I get in 2 hours per day (or more). I’ve thought about making a certain amount (time-wise) of music per day, but sometimes it’s 2 hours of figuring out one line of lyrics, that, when I do figure it out, it “enables” the rest of the song to happen somehow. Or it’s 2 hours of figuring out how a chorus flows into a bridge and then back into the chorus again. So, some days I may not add on any length to a track, but I may solve some problem that needed to be solved in order for the song to progress. If that makes sense.


  2. Line6Piper Says:

    Great thoughts, squint! I also often start with a drum part, especially a loop (since that requires no programming or effort on my part).

    I totally appreciate and see the validity of your 2 hours per day approach and your thoughts about why that works.

    Thanks for sharing your experience!


  3. carolwhaley Says:

    That really makes sense. To aim mastering certain piece or talent, you have to dedicate even 2hours per day to develop it. I appreciate that.


  4. joven0003 Says:

    Awesome post. Thanks for this great info! I have completely learned a lot.


  5. Colin2113 Says:

    number 5 collaborate.

    I wish more people new about the power of riffworks rifflinks. It’s so cool being able to collaborate with musicians anywhere without being next to them.


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