Nov 18, 2011 Propellerhead Reason & Record
One thing that I have wanted for a long time in Reason is a new delay effect that I could play like a musical instrument. One that could get all the grungy vintage analog and tape delay effects, with infinite feedback (filtered of course) that would react to changes in delay time just like an old analog effect. In Reason 6, Propellerhead has given me that and more in the form of The Echo!
Nov 11, 2011 Line 6 Artists
As a member of Yoko Ono’s Plastic Ono Band and support guitarist for re-united Yellow Magic Orchestra, Keigo Oyamada (known as Cornelius for his one-man project), has been using M13 Stompbox Modeler as the core of his guitar rig. He just finished playing with YMO at the Hollywood Bowl for the first time since YMO’s […]
Nov 4, 2011 Propellerhead Reason & Record
The first time I used Pulveriser, I did not read the instruction manual. I simply put it on a drum loop, twisted a couple of knobs, and immediately my drums went from “ok drums” to “totally bad ass twisted evil awesome drums.” At that moment I knew: We are going to hear people using Pulveriser on a lot of music from here on out! Never before have I used a sound processor that made it so easy to drastically improve the sound of my drums, vocals, and bass sounds.
Nov 1, 2011 Line 6 Tips & Tricks
It’s been a little while since my last Tips & Tricks blog post, but it’s good to be back exploring some of the effects in POD HD multi-effects processors! We’re well on our way through all 19 delay models in these bad boys, but we still have a few more to go. About the Stereo […]